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The Yuan Ten-Section Book “Thirteen Notes and Comments” clarify the review of the meditation – using “The Comments and Comments of Comments and Comments” as the middle room
Author: Yang Xinyu (educated by Nanjing Teachers and Women’s Literature College)
Source: “Nanjing Teachers and Women’s Literature College Journal” Issue 01, 2019
Time: Confucius was in the 2570s and the 26th day of the mid-spring of Ji Hai
� Jiajing Re-education Revision will not only replace the broken boards, but also the three supplementary versions of the ten-line industry origin and the Zhengde period were also reviewed and revised, and thus the new information and unity were made in the layout. The time for the Jiajing Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School Re-School is blue. The ten-line versions based on the “Commentary and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Commentary of the Annotations and Comment
The Yuan ten-line version of “Thirteen Notes and Comments” is the earliest known and surviving edition of “Thirteen Notes and Comments” in the dynasty. It is the ancestral version of Li Yuanyang, a Fujian engraving of Li Changchun, a Beijing Supervisor of the Ming Dynasty, a Chongqing edition of Mao’s Ji Gu Ding, and a Nanchang Prefecture engraving of Ruan Yuan, a Qing Dynasty Jiajing edition. It has a grand meaning. However, there are many other unknown points about this book. Now, I will give you some advice on it without considering the rudeness and ask the Fang family to give me some advice.
1. The Yuan Ten-State Version “Thirteen Notes and Commentary” of Ming Cult
The Yuan Ten-State Version was called “The Ten-State Version of the Song Dynasty” in the works of the Qing people, especially the Ruan engraved version of the “Thirteen Notes and Commentary” of the Ruan version, called it “The Ten-State Version of the Song Dynasty”. Duan Yucai suspected that the Yuan people translated the Song Dynasty version, and Gu Jianqi believed that it was engraved between the Yuan and Ming dynasties. Since modern times, teachers such as Fu Zengxiang, Chang Ze Yujuye, Wang Shuying, Abe Takaichi, Zhang Lijuan and other teachers have undergone careful assessments and proved that the Ten-Strange Book of the Ming Yuan was published from the head of Emperor Taiding of the Yuan Dynasty (1324-1328) and was engraved by Fujian Fang. [1](P372-384) This can be used as a basis for this article.
The original book of the ten-line version of the Yuan Dynasty is now in the “Annotation of the Book of Yin Shang” and “Annotation of the Filial Piety”. Other books in the current are all revisions from the Ming Dynasty. For example, the “Annotation of the Book of Songs” are all in Yuan.The Ming Dynasty editions are engraved, among which are the Ming Dynasty editions engraved by the National Library of China (simplified as “national picture books”), the Ming Dynasty editions engraved by the National Library of China (simplified as “Taiwan’s ‘national picture books’”), and the Ming Dynasty editions engraved by the National Library of China (simplified as “Taiwan’s ‘national picture books’”) and the Ming Dynasty editions engraved by the National Library of China. (1) The “Thirteen Notes and Commentary” printed by the Yuan Dynasty, the Beijing Municipal Bureau of Cultural Relics, the National Museum, the Library of Military Science and the Jianjiatang Library of Japan (Japan) were each hidden. The “Rare Book of China Recreation” was photocopyed by the Beijing Municipal Bureau of Cultural Relics, and this article was a commentary of the “Rare Book of China Recreation” included in the “Rare Book of China Recreation”.
The Yuan engraved Ming version of the Ming Dynasty “Thirteen Notes” retains a large number of original versions of the Yuan Ten Lines “Thirteen Notes”. The Ming version of the Ming Dynasty is mostly marked and is easier to distinguish. On the basis of the discussion by Teacher Zhang Lijuan, [1] (P386) can summarize the layout outline of the Yuan Ten Lines, and its basic characteristics can be summarized into: (1) (2) Put the two sides, half leaves and ten lines, and the essays vary from sixteen to seventeen, and the small characters are double lines, with twenty-three characters in each line. (2) (3) The heart of the page is full of words, the number of detailed words engraved on the page is, the number of books in the middle is a simple and volume number, and the number of publishers in the lower is a few. (3) (4) The main heart is many black fish tails, and occasionally pairs of black fish tails. The tails have either a line on the top, a line on the bottom, a line on the top, a line on the top, a line on the top, and a line on the top, and a wireless one. (4) (5) The word “天” with a height and a half circle number before the commentary is separated from the commentary; (6) The following is a small circle between the text and the commentary is separated by a small circle; the word “天” is added before the commentary is started; the word “天” is connected to the commentary. The verbs are a group, and the heights are separated by a small circle. The verbs and verbs of the annotations are separated by a small circle. The verbs and verbs of the annotations that are different in the chapter are also separated by this method; whether the verbs and verbs of the annotations are both preceded by the “righteous saying”. (5) The heart of the page occasionally has black mouth, no word count, no issuer, and single black fish tail; “Erya Notes” has nine lines, and the word “Shu” is black and white in the night. In addition, “Zhou Yi Jiayi” also has many characters “Shu” in black and white in the black background. (6) There are many books on the upper left corner of the page, and the title of the inner engraved chapter is engraved, and the three commentaries of “Year” are engraved by Lu Jun in the year.
These layout features of the Yuan Ten Lines are based on the Song Ten Lines. The book name and signature pattern at the beginning of the volume, as well as the simple or semi-body characters engraved in the heart of the book (such as “Si” and “Si”, etc.) are similar to the Song Ten Lines. The big square characters, small long square characters, and the characters are also inherited from the Song Ten Lines, especially some Song Ten Lines avoid typographical characters, and the Yuan Ten Lines are also along with the Yuan Ten Lines, and the characters are all marked with circles. This is the reason why the Qing people mistakenly regarded the Yuan Ten Lines as the Song Ten Lines.
The difference between the Yuan Dynasty and the Song Dynasty is important: the Song Dynasty version does not have the number of engraved characters and the name of the publisher; the Song Dynasty version has the text and the notes of the Scriptures, which are empty and not small circles.Circle; (7) Other words, the “Taiding Fourth Year Issue” is engraved under the leaf version of the leaf version, and the “Taiding Dingmao” is engraved under the heart of the leaf version, and the “Taiding Dingm
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